THE CURSED CHAIR

david
Legend has it that there is a chair created by Satan himself. A cursed chair, possessed, carved from the bowels of madness and perversion. A chair that turns everyone who sits on it into a lost soul driven into a life of naughtiness and depravity.

ExtraBall by peterdoe
Ashley Tervort's deep throat

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➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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NARCISSISM AND SOCIALMEDIA VOL30

It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.

Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.

Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.

Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.



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ExtraBall by vikingo
Today's slow-motion moment.

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ELECTRIC SHOCK GLOVES TO SUBDUE PEOPLE

Rumor has it that in the United States, police and prison officers are about to start using a new device that looks straight out of a sci-fi movie: a glove with non-lethal electric pulses designed to control a person without resorting to brute force. It's called G.L.O.V.E., and it works by sending a low-intensity shock at the press of a button—just enough to create an irritating sensation on the skin without causing injuries or affecting vital organs.

What’s interesting is that other officers can grab the individual without feeling the shock, allowing for safe immobilization without the need for more aggressive methods.
On top of that, its effectiveness is impressive: according to its creators, in over 95% of cases, it subdues a person in under three seconds. It’s already being used in prisons, hospitals, and even schools, positioning itself as a safer and more controlled alternative to other restraint tools.



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ExtraBall by walter
The slow-motion clip of the day.

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PACQUIAO VS. THE INVISIBLE MAN

A while back, we talked about artist Paul Pfeiffer and his project Caryatid, where he digitally removed one of the boxers from the fight. Now, we have a video of Pacquiao where his opponent has completely vanished, creating the same eerie effect.

The technique behind this type of editing is complex and meticulous. It relies on three key processes: the use of previous and subsequent frames, analyzing footage before and after the key moment to reconstruct the background that the boxer was blocking; interpolation and digital cloning, filling the empty areas with fragments of the original image while adjusting light and shadows to make the manipulation seamless; and frame-by-frame digital painting, where, in more complex cases, each frame is manually retouched to ensure a perfect match.

The result is a surreal scene where Pacquiao throws punches at an opponent who no longer exists, while the audience continues reacting as if the fight were still happening.



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ExtraBall by smm
It’s never too late to take an interest in fashion.

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THE FUTURE OF ROBOTS AND THE EMPLOYMENT DILEMMA

It’s becoming increasingly clear that androids will soon be part of our daily lives, taking on household chores, grocery shopping, and even jobs in factories, logistics, and construction. Automation is advancing with the goal of reducing costs and increasing profits, but this raises a major issue: if robots take over our jobs, where will we get the money to live? If too many people are unemployed, who will buy the products these companies produce?

There are two possible scenarios. One is the creation of a new economic model, where automation forces the implementation of a universal basic income to ensure financial stability for those who can no longer find traditional jobs. This way, consumer spending remains active, and the economy avoids collapse.

The other scenario is a transformation of the job market. Just like the Industrial Revolution eliminated some jobs but created many others, automation could generate new professions we can’t yet imagine. Humans might shift towards creative fields, tech-driven roles, or industries where empathy and human interaction remain irreplaceable.

What’s clear is that if we want a future where robots make life easier without triggering social collapse, we must rethink the economic model. Technology is progressing, but without a strategy for adaptation, the risk of a consumption crisis is real.



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The slow-motion moment of the day.

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A WORLD WHERE WOMEN ARE MUCH BIGGER THAN MEN

In nature, size matters—a lot. In many species, females are significantly larger than males. This happens with black widow spiders, where females can be twice or even three times the size of their mates. The same occurs with certain amphibians, fish, and birds of prey, where females dominate in both size and strength.

But what if the same had happened in our species? What would the world look like if women were much bigger than men? How would interactions, social dynamics, or even the most basic aspects of everyday life change?

Thanks to AI, someone has created a glimpse into this alternate universe. Here are some videos that will make you imagine a world where size roles are completely reversed.



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The slow-motion shot of the day.

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PLAYING WITH PHOTOSHOP AI

david
Sharing with you another batch of videos we received a while ago, where they play around with Photoshop’s AI to auto-complete photos of celebrities, album covers, and other iconic images.



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Embarrassing moments.

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